Showing posts with label Lists. Show all posts
Showing posts with label Lists. Show all posts

Monday, November 29, 2010

The 800 Club

There's nothing like a movie-watching milestone to add a little context to your obsession. Last night after watching John Ford's often overlooked Western Rio Grande, I opened my trusty Excel sheet and checked off my 800th movie from the list of 1001 Movies to See Before You Die. Today, I think that calls for a moment of reflection. The list exists in a big red volume that to date has seven editions, the one I'm working from being the oldest (I believe). Mine ends with Kill Bill Vol. 1, whereas the current one ends with Paranormal Activity (automatically invalidating it, no?). I would guess that I've actually seen 800+ from the updated version, given how top heavy it is, but I'll fill in my later gaps in due time. You can find this year's incarnation here.

Here's my abbreviated history with this list. Four years and several months ago, I was just starting film courses at Michigan State, just starting to post at Culturish, and just starting my dependency on netflix. To navigate these far-reaching corners of the entertainment world, I needed something to lean on, and this list became my crutch. It got me through the classics, it introduced me to countless favorite directors, and it certainly had a hand in making me the freakishly star-eyed cinephile I am today. In September 2006, I had seen 119 films from this big red bible. If you do the math, between then and now, that amounts to a metric-fuckton.

My point - that I can't recommend this list enough. Sure, it's far from perfect, and if you're looking for a more accurate assessment of greatest films of all time, then I recommend swinging by They Shoot Pictures, but everything you need to open your eyes to the frickin' possibilities of movies is right here. Some of the recent additions aside (forgivable, because it takes at least a decade to begin seeing films in context) this is a tremendously well balanced list. It places blockbusters alongside arthouse alongside avant garde and generally finds sterling examples from all camps concerned. It doesn't omit any classics, which are the entries I gravitated toward for the first few years, and from there offers recommendations spanning more decades, countries and film movements than you're likely to find on any other list.

Ther lion's share of my favorite films appear here, but not all, which isn't much a point of contention since I often first became aware of the directors thanks to the list. The Scarlet Empress doesn't make an appearance, but Blue Angel and Shanghai Express are, and those movies undoubtedly ignited my von Sternberg obsession. Mulholland Dr. got bumped from a recent edition, but I suspect it will return, as it's finally settling in as the definitive David Lynch film.

So he list is the perfect way to expand your cinematic horizons, a gateway drug to greater things, from the fairytale decadence of Jean Cocteau films, to the dark visions to Kenneth Anger, to everything you need to ride the Czech and Iranian new waves. I've been sprinting lately toward that magical 800 number, but hell, I don't even look at the list much these days because it did such a damn good job of opening my eyes to what's out there. I suspect that it will take some time to polish off the last 201, partly for availability, but mostly because my interests now are positively sprawling. That's all I could have asked for. At the end of the day, I can complain about what they added or what they left off, but I wouldn't feel entitled to had I not sat through the hundreds of fantastic recommendations the list does make.

Monday, November 1, 2010

2010 Horror Awards

30 titles taken down almost painlessly (Jacob's Ladder, Female Vampire, I'm looking at you), which means it's pointless awards time here at The Library of Babel. Last year's winner was Antonia Bird's cannibal soiree Ravenous and favorites predating these awards were Deep Red, Repulsion, and Eyes Without a Face. I will say that this was an excellent crop of horror, but I'll spare any more commentary and leave you with the nominations/winners/and other assorted titles.

Best Male Performance
John Amplas - Martin
Runner Up: Andrew Keir - Quatermass and the Pit

Best Female Performance
Deborah Kerr - The Innocents
Runner Up: Julie Harris - The Haunting

Best Creature
The Demon - Night of the Demon

Best Villain
Bernard-Pierre Donnadieu - The Vanishing

Best Lesbian Vampire Movie
The Vampire Lovers

Best Evil Child
The Unborn Baby - Who Can Kill a Child


And now for some nominees...


Best Director
Roy Ward Baker - The Vampire Lovers
Nobuhiko Obayashi - House
Ji-woon Kim - A Tale of Two Sisters
Guy Maddin - Dracula: Pages From a Virgin's Diary
Roman Polanski - The Fearless Vampire Killers

And the winner is...
Roman Polanski - The Fearless Vampire Killers


Best Death
Death by piano! - House
That's what you get when you try to drown weird kids who make friends with prepubescent vampires - Let the Right One In
Hungarian Colonel Sanders finishes things at last - Martin
Karswell that ends well - Night of the Demon
The kids that get clubbed with the boat paddle - Who Can Kill a Child?

And the winner is...
Death by piano - House


Scariest Moment
Amy cornered beneath the funhouse - The Funhouse
Theo and Eleanor trapped in the bedroom - The Haunting
The final Scene - The House With Laughing Windows
Girl spends the night in the ruins - Tombs of the Blind Dead
Rex finds out Saskia's fate - The Vanishing

And the winner is...
Theo and Eleanor trapped in the bedroom - The Haunting


The Final Countdown!
10. Night of the Demon


9. Dracula: Pages from a Virgin's Diary


8. The Grapes of Death


7. A Tale of Two Sisters


6. Who Can Kill a Child?


5. The Vampire Lovers


4. Lizard in a Woman's Skin


3. The Fearless Vampire Killers


2. House


1. The Haunting

Tuesday, October 5, 2010

Top 100 Films Wrap Up

The End.

Or something like that. Or not really not at all. It was August 2009 when this list finally got rolling, following several months before that of hemming and hawing over what exactly deserved to make the cut, and here I am, 14 months later, finally putting the finishing touches on this project. A project which was out-dated by September of '09, and would look entirely different if I started from scratch today.

I had finally resolved get to work on the project after graduating from my undergrad at Michigan State. That was the first time I felt I could confidently cobble together 100 films I was passionate enough about to call favorites. I'm relieved that looking back on it no atrocities jump out at me, as I would no doubt recoil in horror at Tristan's favorite films circa 2006 (which was that regrettable period in my life where I knew just enough about movies to think I knew everything, and hell if I wasn't an ass about it too).

But as I said, it's been 14 months, and with so much time passed, I feel it only right to cap off this project with an addendum. Because in that time, I've revisited many films, some which no longer seem worthy of a top 100 (Eraserhead, 8 Women, much as I still love both), others which I was clearly out of my head when I left off (Vertigo, Le Samourai). There's also the directors who I've reconsidered, reassessing my personal preference for their films, however close the call may have been. These days, I'm inclined to rank A Brief Encounter over Doctor Zhivago, The Umbrellas of Cherbourg over The Young Girls of Rochefort, and To Be Or Not To Be over Trouble In Paradise. Finally, there's the new, which are the additions I'm most excited about - essentially the greatest films I've seen over the past few months. This group includes the likes of Dogville, The Red Balloon, The Tales of Hoffmann and Love Me Tonight.

Out with the old and in with the new, then. Here's what I would change, with no guarantee that this won't change again tomorrow.

Out (19)
8 Women
Alien
Being John Malkovich
Belle de Jour
Breakfast at Tiffany's
Clue
Cria Cuervos
Dead Man
Doctor Zhivago
La Dolce Vita
Eraserhead
Masculine Feminine
Onibaba
Peeping Tom
The Remains of the Day
The Silence
There Will Be Blood
Trouble In Paradise
The Young Girls of Rochefort

In (19)
Bad Timing (Nicholas Roeg, 1980)
Branded to Kill (Seijun Suzuki, 1967)
A Brief Encounter (David Lean, 1945)
Dogville (Lars Von Trier, 2004)
The Fall (Tarsem Singh, 2008)
Friday Night (Claire Denis, 2002)
Johnny Guitar (Nicholas Ray, 1954)
Koyaanisqatsi (Godfrey Reggio, 1982)
Love Me Tonight (Rouben Mamoulian, 1932)
Malpertuis (Harry Kümel, 1972)
The Masque of the Red Death (Roger Corman, 1964)
The Red Balloon (Albert Lamorisse, 1956)
The Red Shoes (Michael Powell and Emeric Pressburger, 1948)
Rififi (Jules Dassin, 1955)
Le Samourai (Jean-Pierre Melville, 1967)
The Tales of Hoffmann (Michael Powell and Emeric Pressburger, 1951)
To Be Or Not To Be (Ernst Lubitsch, 1942)
The Umbrellas of Cherbourg (Jacques Demy, 1964)
Vertigo (Alfred Hitchcock, 1958)

McCabe & Mrs. Miller, The Thin Man, Porco Rosso, Beau Travail and The Double Life of Veronique would come very, very close.

And with that, I'll declaring all this top 100 listing dormant for a while. With so many other films to catch up on, I should have fuel for a whole variety of listing and film review projects that I've already been tossing around in my head. Thanks everyone for bearing with me through this all and I really appreciate all the comments.

Look for my annual horror movie fest to start generating some reviews here. I've got a couple stored up that I'll hopefully bring you tomorrow.