Showing posts with label Best Picture. Show all posts
Showing posts with label Best Picture. Show all posts

Tuesday, February 15, 2011

Watching the Best Picture nominees - All 485 of them

I need to get this post out of my system now, because come February 28th, we'll be back to cursing the relevance of the Academy of Motion Picture Arts and Sciences the way we always do. And let's not kid ourselves, the way we love to.


It's always been a love/hate relationship. Those with limited movie experience look in from the outside with sneers about how they've "not even heard of most of those films!" Egads! Pretension must be afoot! But it's the very same group that lends a surprising amount of credence to the winners, simply by virtue of caring so damn much what does and doesn't win or even get nominated. I mean, who care that The Dark Knight didn't get a Best Picture nomination. It's hardly in bad company. Far greater works of cinema have missed the cut as well, many of which never even had a fighting chance (ie, a rigorous studio campaign) to begin with.

Cinephiles, jaded curmudgeons that they are, care about the Oscars too. Most will deny this, and for a few this may be a genuine sentiment, but deep down, most hold out some hope that every once in a while the Academy will get something right. It's a rare and welcome opportunity to gloat, but more importantly, it means that some deserving film will go down in the record books, maybe even get a bump in renown. It could be a mere Best Costume Design win, but hell, us curmudgeons will take what we can get.

In the spirit of being generous though - because, after all, 'tis Oscar season - I think it's worth appreciating all the things they have gotten right. Forget whether a film is the 'best' of a year, or what else should have been nominated/won, the Academy has managed to preserve, through the time-honored format of the checklist, many many films that I'm better off for having seen, plenty of which I may never have come across without these accolades from ages past. On a smaller scale, that of the Best Picture winners, this was instrumental in my indoctrination to the world of movies. There's a real rush when you're first checking off Casablanca, On the Waterfront and Lawrence of Arabia from your to-see list.


With this in mind, I'm declaring the start of a new mission, the viewing of every last film nominated for the Best Picture award. Technically, it's a goal I've been working toward for years, and we even do regular yearly BP lineup rankings at Culturish, but over the last month I've found a surprising amount of resolve to actually do this. I've watched at least 20 nominees during the last month and what I found was that despite a few total duds, there was a handful of amazing mixed in. Yeah, I had to sit through The Robe (a contender for the bottom 10, to be sure) but I also got to see criminally overlooked films like Fanny, Decision Before Dawn, A Touch of Class and A Room at the Top. Those four alone have honestly made whatever mediocrities I've had to indulge more than worth it.

485 films are currently in the esteemed ranks of Best Picture nominees. This means that assuming the Academy holds onto its current 10 nominee stunt for just one more year, come nomination morning in 2013, we will hit (possibly surpass, again depending on the nominee count) the 500 milestone. Therefore, I declare my intent to have viewed every single film nominated for Best Picture by that very morning, date of which as yet to be determined. And I have every intent of finishing far sooner than that. There is one insurmountable hurdle in the way, the 1928 Ernst Lubitsch film, The Patriot, is considered lost. Barring that though, I'll be ready for a complete top to bottom ranking of the nominees come 2013.


So where do I stand now? To be honest, I haven't counted, and that's a number that I don't really want to see. I'd be intimidated, especially by the significant number I still have to see from the pre-1944 years where the nomination total was 10, and on two occasions as many as 12 nominees. I do know that there are many years where I have seen all nominees, probably close to 30, so my task ahead is far from impossible. There's yet to be a decade that I've seen everything from, but I'm down to three from the 2000s (Ray, Letters From Iwo Jima, and The Blindside), six from the 80s, and seven each from the 70s and 90s. Put in that perspective, I should breeze through this. But again, the 30s are starring me down, and I'm kinda petrified.

Funny enough, after all the viewing over the years to get as far as I have, I've still not seen all the Best Picture winners. The Broadway Melody, Cimarron, and The Great Ziegfeld are the final three winners I've not caught up with, the only films separating me from finishing the original list I set out to complete. I'm in no rush though. I've got nearly two years.

Tuesday, March 2, 2010

If I Ran the Oscars

As the hurricane of glitz and gay and gold that is Oscar season reaches critical levels, I'd like to step aside for a moment and imagine just how much sweeter the show would be if I was calling the shots.

First thing to go would be that miserable Best Picture top 10. If you consider the top 5 to be those with corresponding director nominations, then we effectively traded 1 deserved nomination for An Education for 2 mediocre ones (Up and A Serious Man) and 2 I could entirely do without. In fact, I'm hailing District 9 as the worst nominee since Crash, maybe even since Jerry Maguire (Though not worse than that. It's hard to trump the triple threat of Cruise/Cuba/Cthulhu). Certainly, the top 10 brought diversity to the lineup, but the top 5 would still have had that in spades between Up in the Air, Precious and the war films of (alternate)past, present and future. Maybe if the new system had allowed a foreign film to slip through the cracks - and it's been a startlingly good year for foreign cinema - I'd be a bit more forgiving.

As for hosting, no disrespect meant to the team of Alec Baldwin and Steve Martin - I'm sure they'll ace the gig - but there could be no greater host of the moment than Conan O'Brien. Of course the late night scandal hit well after hosting duties had been doled out, but in my little world, Conan would have been signed up well before that went down.

And what I really wouldn't stand for is all this incessant tweaking with the ceremony itself. This year we have no time for the Honorary Oscar presentation (no Lauren Bacall! no Roger Korman!), but we can make time for John Hughes to get his own private send off video, an honor not granted to Altman, Bergman, Antonioni, Kurosawa and countless other influential directors that have kicked off in the last decade. That, far moreso than Sandy's likely Oscar win, offends me.

Lastly, there's the categories themselves. This years batch of nominees is decidedly average (for the sake of comparison, we'll call 2007 above average and 2005 far below), but as usual, I think I could do better. That means it's time for my yearly awards, and I think they look pretty swell.


Sadly, I just can't see it all. Grand Rapids has done me no favors in the world of art cinema, and while through my resourcefulness I've tracked down quite a bit, there's always more to see. Some notable films that I've not seen, (mostly) want to, and plan to post haste. Soon as I have the chance:

A Prophet
Bad Lieutenant: Port of Call New Orleans
Il Divo
The Milk of Sorrow
El Secreto de Sus Ojos
White Material
Ajami
Precious (I feel bad about this, but it didn't play here long at all)
Police, Adjective
Fish Tank
The Young Victoria
The Princess and the Frog
Me and Orson Welles
The Red Riding Trilogy
Blind Side (actually, just avoiding this one)

Kind of a long list, but it was once much longer. I feel fairly accomplished with what I did manage to catch, which includes everything nominated in the big 8 categories at the Oscars except Precious and Blind Side. Below are my proposed changes to the nominees, along with what I'd have win in bold. No ranking, although I'll include my top 25 of the year along with my Best Picture choices.


Best Supporting Actor
Peter Capaldi - In the Loop
Andrew Garfield - The Imaginerium of Doctor Parnassus
Anthony Mackie - The Hurt Locker
Christopher Plummer - The Last Station
Christophe Waltz - Inglourious Basterds

RU: Tom Waits - The Imaginerium of Doctor Parnassus

Best Supporting Actress

Penelope Cruz - Broken Embraces
Vera Farmiga - Up in the Air
Rinko Kikuchi - The Brothers Bloom
Melanie Laurent - Inglourious Basterds
Olivia Williams - An Education

RU: Anna Chlumsky - In the Loop

Best Score

The Brothers Bloom
The Fantastic Mr. Fox

The Last Station

Ponyo

Up


Best Original Song
All is Love - Where the Wild Things Are
Boggis, Bunce and Bean - The Fantastic Mr. Fox
The Fantastic Mr. Fox AKA Petey's Song - The Fantastic Mr. Fox
I've Got You Wrapped Around My Little Finger - An Education
The Weary Kind - Crazy Heart

Best Cinematography
Antichrist
The Beaches of Agnes

The Fantastic Mr. Fox

Inglorious Basterds
The White Ribbon



Best Art Direction
An Education
The Imaginerium of Doctor Parnassus

Inglourious Basterds

Ponyo

Where the Wild Things Are


Best Adapted Screenplay
An Education
The Fantastic Mr. Fox

In the Loop
The Last Station

Up in the Air


Best Original Screenplay
The Brothers Bloom
Inglourious Basterds

Moon
Mother

The White Ribbon


Best Costume Design
An Education
Bright Star

Broken Embraces
The Brothers Bloom

The Imaginerium of Doctor Parnassus


Best Makeup
Broken Embraces
Drag Me To Hell
The Imaginerium of Doctor Parnassus


Best Editing
Broken Embraces
The Brothers Bloom

The Hurt Locker
Inglourious Basterds

The Limits of Control

Best Visual Effects
Avatar
The Imaginerium of Doctor Parnassus

Moon
Star Trek
Up


Best Foreign Language Film

35 Shots of Rum
Broken Embraces
Mother
Ponyo
The White Ribbon


Best Animated Film

Coraline
The Fantastic Mr. Fox
Ponyo

A fair sampling of the shorts categories, as well as documentary, and sound editing/mixing would be difficult. I'll abstain from those, with a note that I'm rooting for The Lady and The Reaper in animated short and anything but The Cove in documentary. I've actually seen two very good documentaries this year and both will make an appearence in my top 25.

Best Actor
Matt Damon - The Informant
Lluis Homar - Broken Embraces
Joaquin Phoenix - Two Lovers
Jeremy Renner - The Hurt Locker
Sam Rockwell - Moon

RU: Isaac de Bankole - The Limits of Control


Best Actress
Charlotte Gainsbourg - Antichrist
Kim He-ja - Mother
Carey Mulligan - An Education
Gwyneth Paltrow - Two Lovers
Rachel Weisz - The Brothers Bloom

RU: Saoirse Ronan - The Lovely Bones

Best Director
Wes Anderson - The Fantastic Mr. Fox
Michael Haneke - The White Ribbon
Boon Jong-ho - Mother
Hayao Miyazaki - Ponyo
Quentin Tarantino - Inglourious Basterds

RU: Spike Jonze - Where the Wild Things Are


And now...drum roll please...my top 25 films of 2009, culminating in my 10 Best Picture nominees. That's right, I can totally do that and still bitch about the academy when they pull that shit.

25. The Summer Hours
24. The Limits of Control
23. Avatar
22. The Beaches of Agnes
21. La Danse, The Paris Opera Ballet

20. Around a Small Mountain
19. Up in the Air
18. Coraline
17. The Last Station
16. 35 Shots of Rum

15. Moon
14. Broken Embraces
13. The Hurt Locker
12. Two Lovers
11. Where the Wild Things Are

10. Antichrist
9. The Imaginerium of Doctor Parnassus
8. The Fantastic Mr. Fox
7. In The Loop
6. Mother
5. The White Ribbon
4. Ponyo
3. The Brothers Bloom
2. An Education
1. Inglourious Basterds

And after all that, my top two are actually Best Picture nominees. I actually can't think of another year which that could be said of. Of course it was twice as likely to happen this year what with the expanded category and all, but maybe that's a sign I should stop bitching.

Nope. That won't stop me. I'll post Oscar predictions complete with further criticisms later this week.